"The last of his people comes to a strange land."
part i | Ninja Gaiden 3: Razor's Edge is a suicide note
As a reminder, only sociopaths take full, physical glee in videogame violence.
Ninja Gaiden 3: Razor's Edge positions the series' main character, Ryu Hayabusa, as an outdated, barbaric relic. All he does is slaughter. He's kept his face hidden. He hardly talks. His favorite weapon is a sword, one sharp enough to hack off limbs. You can't track him. His agility is inhuman. Other global forces from outside Japan whisper tall tales about the ninja and just how many people he has killed in his life. The actions of a videogame character are being dragged into a realer light—what, did you think nobody would notice when you just spent two full games leaping over rooftops, summoning demons to modern cities, killing the demons, beheading people, and then vanishing off into the secluded hills of Japan. It's like, man, Japan is full of psychos, isn't it?
In games and in real life, I mean. Right? There is a western videogame producer somewhere snorting over his early-morning Monster Energy Drink, wondering who makes a game where your avatar is a masked, remorseless bladestorm in this day and age? When will the Japanese learn that that isn't what videogames are about anymore?
Ryu the super-ninja is outdated.